Felis Cattus, is your taxonomic nomenclature,
an endothermic quadruped carnivorous by nature?
Your visual, olfactory and auditory senses
contribute to your hunting skills, and natural defenses.
I find myself intrigued by your sub-vocal oscillations,
a singular development of cat communications
that obviates your basic hedonistic predilection
for a rhythmic stroking of your fur, to demonstrate affection.
A tail is quite essential for your acrobatic talents;
you would not be so agile if you lacked its counterbalance.
And when not being utilized to aide in locomotion,
it often serves to illustrate the state of your emotion.
O Spot, the complex levels of behavior you display
connote a fairly well-developed cognitive array.
And though you are not sentient, Spot, and do not comprehend,
I nonetheless consider you a true and valued friend.
“Uhura” comes from the Swahili word UHURU meaning “freedom”. Uhura was pretty much the first ever black main character on American television who was not a maid or a domestic servant in 1966. TV network NBC refused to let Nichelle Nichols be a regular, claiming Deep South affiliates would be angered, so Star Trek creator Gene Roddenberry hired her as a “day worker,” but still included her in almost every episode. She actually made more money than any of the other actors through this workaround, and it was kept secret from the other actors, but it was still a humiliating second-class status. The network people made life hard for Nichols, constantly trying to pare down her screen time, purposefully dropping racist comments in her presence and even withholding her fan mail from her.This deplorable state of affairs led Nichols to make the decision to quit after the 1st season, but then she happened to meet the Reverend Martin Luther King, Jr. who pleaded with her to stick with the show because as a Black woman she was portraying the first non-stereotypical role on television.
IS THIS REAL LIFE
Dat ass (BRB)
From The Archives: On March 16th, 2012, The Star Trek: TNG episode “The Outcast” marked the 20th anniversary of its initial airing.
The episode is particularly notable for being a bold, thinly veiled allegory for homosexual discrimination.
The J’naii, an androgynous humanoid race, once had two sexes, but has since “evolved” beyond genders. However, a small portion of the J’naii are still born with a “gender alignment.” These individuals subsequently develop an attraction to those who align with the opposite sex.
In “The Outcast,” Soren, a female-identifying J’naii born with an attraction to males, falls for Commander Riker, and he for her. When this is discovered, Soren is charged with perversion and brough before a J’naii tribunal where she (unsuccessfully) tries to defend herself and those like her.
Despite being penned a generation ago, the passionate, poignant excoriation uttered by Soren at her trial are, sadly, as necessary today as ever:
What we do is no different from what you do. We talk and laugh. We complain about work. And we wonder about growing old. We talk about our families and we worry about the future. And we cry with each other when things seem hopeless. All of the loving things that you do with each other - that is what we do. And for that we are called misfits, and deviants and criminals. What right do you have to punish us? What right do you have to change us? What makes you think you can dictate how people love each other?
Basically this is all for the last cap